Bad Pony Stories

Post » Tue May 15, 2012 12:39 am

I'm pretty sure we all agree that Hancock is the best example of a great plot hijacked, beaten and shot in the most craptastic manner known to mankind.
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Skrapp Stephens
 
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Post » Mon May 14, 2012 2:23 pm

I think I've only watch on movie that was an anime that I would consiter a "bad story" but still be enjoyable to watch. Mobile Suit Gundam: Char's Counter-Attack. The movie is overall good, it has great art work and mech battles but the one thing I dislike about the film was the ending. It goes like this. Amuro and Char are crashing to Earth on a falling Astroid, the next scene shows Char's Second-in-Command/lover morning his death (ok so now we know he's died) then the next scene shows Amuro's Gundam going critical then the T object flies off him and WHAM---the ending credits start rolling....WTF!!! There was still more to the story that needed conclution...
1: What happend to Amuro? You have to read the book...answer He died too.
2: Captain's Bright's son just killed a Federation Officer, Chan Agi. So now Bright is going to have to answer for that. Not only that but his son is in REAL deep trouble now.
3: What happend to the rest of Char's Fleet?

I don't like films with an open-ended ending <_<.
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Yama Pi
 
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Post » Tue May 15, 2012 5:20 am

There we go... got that all fixed up here

:meh:
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Rhi Edwards
 
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Post » Tue May 15, 2012 12:20 am

Clannad is ridiculous.
Spoiler
Two-thirds of the second season are "It was all a dream"? Really? WHAT IS THAT? And the themes and foci are all confused. First we focus on one character, then another, and another; this theme, then that theme, then that... -- without anything to tie them together. And the mechanical doll and the mystery woman-girl? THEY HAVE ABSOLUTELY NOTHING TO DO WITH ANY OF THE STORY. And Nagisa is cute? Is she? Is she really? I struggle to think of a frumpier-looking anime character.

I like the first season, and the first few episodes of the second season, but the writer really, really mindscrewed everyone. Clannad inspired this post!
And people say it's a good story. It's not a good story!
Um

Spoiler
How is the girl and the robot mysterious? If you didn't watch the first and second season I could understand your confusion but you said you did. You didn't get that the girl was Ushio (Tomoya's and Nagisa's daughter) and the robot was Tomoya? There was foreshadowing in the first season in the play that they do. Both Nagisa and Tomoya know the story (or at least feel that it's a very familiar story).

That being said the stories for Oblivion and Fallout 3 were absolutely atrocious. Even worst was the 2 dimensional characters (hell one dimensional in some cases) that almost had nothing to add to the story.
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yessenia hermosillo
 
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Post » Mon May 14, 2012 11:43 pm

No worries. As for Lost well I thought that show went plummeting downhill after season 1 so the ending really couldn't ruin much.

but lost was great

Lost was good until... it was so long ago I can't remember. I think they lost me toward the end of the second season. It got successively worse with each season/episode.

@Oof; I stared at your Avatar for a while... it transed me. I played DA2 exactly 6 times each being 25 hrs+ one only being 15 where I didn't finish....... It helped me get through boring ass school o.o

Thanks gnrfan. :biggrin: I could only play DA2 if somebody paid me at least minimum wage to do it.

Bad stories? Stephen King's Insomnia was a real piece of crap, as was Cujo. I also hated the story in a little book called Aztec.

Was that the one where he sees alien-like creatures, and one of them was named Apropos? I think? It was a bit messy, but some aspects I enjoyed.

I'm pretty sure we all agree that Hancock is the best example of a great plot hijacked, beaten and shot in the most craptastic manner known to mankind.

Yes!

Um

Spoiler
How is the girl and the robot mysterious? If you didn't watch the first and second season I could understand your confusion but you said you did. You didn't get that the girl was Ushio (Tomoya's and Nagisa's daughter) and the robot was Tomoya? There was foreshadowing in the first season in the play that they do. Both Nagisa and Tomoya know the story (or at least feel that it's a very familiar story).

Yes, I understood that. The point is, that foreshadowing brings nothing to the actual story. Foreshadowing is supposed to be a light touch. Otherwise, you run the risk of leading your audience to believe that there's something more going on (which there wasn't -- it was just a copy-paste of one quarter of the main story). It's misleading and manipulative -- and not in a good way. Each part of your story should have some kind of pay-off, and that part didn't: the story would have functioned just as well, and probably even better, if that foreshadowing had been lighter or hadn't been included at all.
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Alexandra walker
 
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Post » Tue May 15, 2012 2:52 am

That being said the stories for Oblivion and Fallout 3 were absolutely atrocious. Even worst was the 2 dimensional characters (hell one dimensional in some cases) that almost had nothing to add to the story.
Fallout 3's ending was rubbish (both of them) but the story itself was no different from the past 2 Fallouts.

Fallout 1: Go get Plot Device before everyone dies, kill psychopath villain by detonating unguarded nuke in their basemant. You may assist the villains.
Fallout 2: Go get Plot Device before everyone dies, kill psychopath villain by detonating unguarded nuke in their basemant. No alternate endings.
Fallout 3: Go find Dad, help start Plot Device to ease people's lives, kill psychopath (Eden) and Extremist With Good Intentions (Autumn) villain using another Plot Device. You may assist the villains in the original game.

That said Fallout has never had good plots. The magic comes from the setting and writing.
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Elea Rossi
 
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Post » Tue May 15, 2012 4:25 am

I kinda liked Hancock. Not that I don't recognize it's many problems, but for some reason...it's one of those films that I liked despite myself. :blush:

Going to agree with King's Insomnia ... the idea was kinda cool, but it was over-bloated and in the end, just not interesting.

The end of King's Tommyknockers was pretty terrible as well. It's been a very long time since I read it so I can't remember exactly why I was so annoyed....too pat, too predictable perhaps? At any rate, it was not satisfying after the initial build up.
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Kevan Olson
 
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Post » Tue May 15, 2012 6:35 am

....I personally thought Avatar had a terrible story. But that's because it was all about showing off effects rather than making me care about the cardboard cutout characters and derivative plotline. One can take derivative material & make great stuff with it, but Avatar doesn't do it for me.

Pocahontas with smurfs. :shrug:

....I think one can make a judgement on whether one is going to personally like a novel/book/film even if you haven't read/watched all of it. If the writing style (and grammar...) turn me off past a certain point, it won't matter how good the story might be. I'll hate it.. It's like I can respect the subject matter or attempted symbolism of a painting but still hate the painting/think it's ugly.

My thoughts, too.

...also, Dallas and JR. 'Nuff said.

Exactly what
Spoiler
Clannad
pulled. :shakehead:

I kinda liked Hancock. Not that I don't recognize it's many problems, but for some reason...it's one of those films that I liked despite myself. :blush:

I did, too, but I can't say the story isn't poor.
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Ryan Lutz
 
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Post » Tue May 15, 2012 4:46 am

Lost was good until... it was so long ago I can't remember. I think they lost me toward the end of the second season. It got successively worse with each season/episode.
i must be one of the few people who enjoyed it till the end :biggrin: but yeah, the two first seasons were best.
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Vera Maslar
 
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Post » Tue May 15, 2012 3:23 am

i must be one of the few people who enjoyed it till the end :biggrin: but yeah, the two first seasons were best.
Watched the first half of the first season intensely, sitting on edge for something to happen, then something happened and it was so underwhelming that I felt dumber. Like being bashed in the head with a brick of immense retardation.
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Charlie Sarson
 
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Post » Mon May 14, 2012 11:48 pm

I knew this guy on another forum, he said: "Twilight: a young girl's choice between necrophilia and bestiality." I've always loved that line.

I hate Twilight. That's because I come from the Vampire: the Masquerade era and grew up with a vampire mythology influenced by Hollywood. Stephanie Meyers takes everything I love about vampires and does unspeakably offensive things to them. I'll not read the books. I'll not watch the movies. I know enough about the series to know that I hate it and I don't care if it annoys people.

So true, and its a common quote, but i love hammer horror films, and whatever excuse for vampires and werewolves are in twilight its pathetic and id prefer to take to myself with a chainsaw than tolerate anything twilight near me. Vampires dont walk around in the sun romancing every young schoolgirl they see, they wait in the dark tear out your throat, or turn you into a vampire or a human thrall, its basically violent, bloody and horrific, not cutesy, romantic and sweetness and light.
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Stacyia
 
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Post » Mon May 14, 2012 5:03 pm

I would say that there are a great deal of stories, not all but a large amount, that are designed in such a way that they rely upon the ending. A similar amount of stories are also designed in a dissimilar fashion, relying on the here and now instead of build up. When you take a story that consists of build up separated by filler, following more build up and so on... the end, being the climix should be able to be considered 'good' or the entire story fails.

Edit: Either way, claiming that the ending doesn't determine the quality of the beginning and the middle is highly inaccurate imo.

I have to agree with this. The ending to a story can, to me, potentially break the entire foundation of it. For example, the ending to the movie I Am Legend was a pile of Deus Ex Machina garbage and it took what was a pretty good story and just slammed it face-first into the dirt. An even better example is the movie Take Shelter, with an ending that has the potential to many people to completely destroy the entire premise set by the film, directly contradicting the plot's very nature and rendering all of it pointless. I'm sure the director intended for the ending to be entirely metaphorical, but that didn't change the fact that I, along with a ton of other people, was left feeling betrayed by it. It wasn't until I spent a couple hours researching it that I finally came up with an acceptable explanation for it.

So yeah, endings are a big deal. If the ending to ME3 is as cliche as people say it is, then I, a person who already absolutely loathes Deus Ex Machina [censored], will be pretty pissed off. It's bad enough that they felt the need to stretch the plot over three games, let alone give us some kind of predictable craptastic ending.
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lisa nuttall
 
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Post » Mon May 14, 2012 7:32 pm

Beyond that, the ridiculous hate against Twilight is annoying, especially without giving specific reasons for not liking it. Have you even read it? I can understand not liking the movies, but I greatly enjoyed the books, and I've yet to come across anyone that bad-mouthes it that's actually READ the freaking series(Not just a few pages of the first book, at least the entire first book is required to badmouth something, sorry.).
I've read all the books, including the short novel (and the Host, but that's kind of unrelated), and I hate them. The way the author destroys the English language aside, the characters are awful, shallow and unlikable, and the love story presented as "true love" is an incredibly unhealthy model of a relationship for the impressionable (pre-)teens the books are aimed at. The character you're supposed to relate to is self-loathing, self-destructive and clings on to her controlling and abusive boyfriend because he's the most important thing in her life ever, after only a few months of going out.
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Ash
 
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Post » Mon May 14, 2012 7:11 pm

I have to agree with this. The ending to a story can, to me, potentially break the entire foundation of it. For example, the ending to the movie I Am Legend was a pile of Deus Ex Machina garbage and it took what was a pretty good story and just slammed it face-first into the dirt.

Watch http://www.imdb.com/title/tt0067525/. It's the same move (from 1971). . .but good.
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Shiarra Curtis
 
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Post » Mon May 14, 2012 11:15 pm

I have to agree with this. The ending to a story can, to me, potentially break the entire foundation of it. For example, the ending to the movie I Am Legend was a pile of Deus Ex Machina garbage and it took what was a pretty good story and just slammed it face-first into the dirt.

Watch http://www.imdb.com/title/tt0067525/. It's the same move (from 1971). . .but good.

Or read the book... :whistling: It's pretty good. :biggrin: The Will Smith movie version was excellent up until the
Spoiler
miracle.
That just... :shakehead: ... ya, totally ruined it.

So yeah, endings are a big deal. If the ending to ME3 is as cliche as people say it is, then I, a person who already absolutely loathes Deus Ex Machina [censored], will be pretty pissed off. It's bad enough that they felt the need to stretch the plot over three games, let alone give us some kind of predictable craptastic ending.

One of the games where I did think a deus ex machina ending was appropriate was the original Deus Ex. However people might have felt about the ending (I loved it), it was really appropriate to the story. You didn't feel cheated because that's what the whole game had been about: technology, and how it's taken over life.
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DarkGypsy
 
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Post » Mon May 14, 2012 3:55 pm

Another movie that I loved until the ending was Kubrick / Spielberg's http://www.imdb.com/title/tt0212720/

Well, it had an excellent ending (Kubrick's), and then the narrator's voice said "3,000 years later. . ."

Then it turned into a complete POS. :shifty:
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El Goose
 
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Post » Mon May 14, 2012 2:58 pm

Another movie that I loved until the ending was Kubrick / Spielberg's http://www.imdb.com/title/tt0212720/

Augh, I hated the fake out ending in that movie. It should have ended at the fairy. I mean really, it would have been a very touching and bittersweet ending, but that's just me. The rest of it felt so...tacked on.
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Scotties Hottie
 
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Post » Tue May 15, 2012 4:49 am

The fake-out ending was Kurbick's intended ending but he was dead by the time the movie was made, and Spielberg has an irresistible urge to insert aliens into everything to make it happy.
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Rinceoir
 
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Post » Mon May 14, 2012 4:39 pm

Or possession faces into ghost films to make them dramatic. Sorry, I'm mad about Paranormal Activity, too.
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Arnold Wet
 
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Post » Tue May 15, 2012 3:14 am

If you have trouble understanding Clannad then don't watch Evangelion, Serial Experiments Lain or Madoka Magica; those are actually meant to be confusing.
Madoka was confusing? I didn't realize it even had a story. :biggrin:

My crap stories would be 11eyes, Togainu no Chi, Freezing, Rio: Rainbow Gate, Dragon Crisis, and Guilty Crown (to be fair this could have been good... could have...). Those be anime. Generally I don't have a problem with most stories, I'm easy to please, but those were just bottom of the barrel. I mean, I liked Hancock! Too easy to please.
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Kay O'Hara
 
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Post » Tue May 15, 2012 5:35 am

http://www.youtube.com/watch?v=-S881Ows0Ww

People having a hate [censored] over Mass Effect 3's ending (which I may do once I actually play the game) should probably watch that for a lesson in 'bad endings'.
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Mrs. Patton
 
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Post » Tue May 15, 2012 6:17 am

Another movie that I loved until the ending was Kubrick / Spielberg's http://www.imdb.com/title/tt0212720/

Well, it had an excellent ending (Kubrick's), and then the narrator's voice said "3,000 years later. . ."

Then it turned into a complete POS. :shifty:

I would have liked it more if it ended at Kubrick's ending, but the rest wasn't too horrible. It was just flat.

The fake-out ending was Kurbick's intended ending but he was dead by the time the movie was made, and Spielberg has an irresistible urge to insert aliens into everything to make it happy.

... those weren't aliens. Those were advanced robots. Weren't they?
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lydia nekongo
 
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Post » Tue May 15, 2012 6:25 am

... those weren't aliens. Those were advanced robots. Weren't they?

Huh. According to the 'internets' they're supposed to be robots. But they sure look like http://www.youtube.com/watch?v=dxVHseRHWfg. (at 5:19). Alien robots, maybe? :hubbahubba:
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Jeff Turner
 
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Post » Mon May 14, 2012 8:53 pm

I heard the ending of Lost was bad. From what I've read the ending didn't explain anything.
If you ever watch LOST, I know how to correct it. A simple change in viewing order. Skip the episode before the finale and watch it as the real finale. :cool:

On topic, Super 8 and latest Transformers.
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xxLindsAffec
 
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Post » Tue May 15, 2012 4:31 am

I hate how Slash had to leave Guns N' Roses like that. They were the best band ever and they could possibly be a big band still......... :stare: Oh who am I kidding they still are big
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michael danso
 
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