No worries. As for Lost well I thought that show went plummeting downhill after season 1 so the ending really couldn't ruin much.
Lost was good until... it was so long ago I can't remember. I think they lost me toward the end of the second season. It got successively worse with each season/episode.
@Oof; I stared at your Avatar for a while... it transed me. I played DA2 exactly 6 times each being 25 hrs+ one only being 15 where I didn't finish....... It helped me get through boring ass school o.o
Thanks gnrfan.

I could only play DA2 if somebody paid me at least minimum wage to do it.
Bad stories? Stephen King's Insomnia was a real piece of crap, as was Cujo. I also hated the story in a little book called Aztec.
Was that the one where he sees alien-like creatures, and one of them was named
Apropos? I think? It was a bit messy, but some aspects I enjoyed.
I'm pretty sure we all agree that Hancock is the best example of a great plot hijacked, beaten and shot in the most craptastic manner known to mankind.
Yes!
Um
Spoiler How is the girl and the robot mysterious? If you didn't watch the first and second season I could understand your confusion but you said you did. You didn't get that the girl was Ushio (Tomoya's and Nagisa's daughter) and the robot was Tomoya? There was foreshadowing in the first season in the play that they do. Both Nagisa and Tomoya know the story (or at least feel that it's a very familiar story).
Yes, I understood that. The point is, that foreshadowing brings nothing to the actual story. Foreshadowing is supposed to be a light touch. Otherwise, you run the risk of leading your audience to believe that there's something more going on (which there wasn't -- it was just a copy-paste of one quarter of the main story). It's misleading and manipulative -- and not in a good way. Each part of your story should have some kind of pay-off, and that part didn't: the story would have functioned just as well, and probably even better, if that foreshadowing had been lighter or hadn't been included at all.