You'll probably like my "wait that's not haiku" thing. The bold part isn't mine, but a famous Basho haiku that I was inspired by to write a "story" of sorts about. Turned into this:
Look! there walks a priest!
He is very far from home,
this Summer morning.
On the road to December,
He is walking and sees,
A little spot of color in the grass.
Wake up! Wake up! It's I,
who want you for a companion,
sleeping butterfly.
Where are we going?
Asked the sleepy butterfly.
Flying beside the priest.
We are going to watch
The cherry flowers,
Blooming over my grave.
Look! there flies a butterfly!
He is very far from home,
this Summer morning.
I liked the other one better. My favorite part from this one was the grave part.
Here is another snippet from Organ Donor. It was inspired by a bumper sticker on a beat up old truck.
-Light slowly began to cut into Jennifer’s eyes. She tried to move her left arm, but a hammer of pain
struck the anvil that was her shoulder. She winced and cried out silently. Gingerly moving her right hand
over to her shoulder, she pressed slightly against the wound. The hammer struck again. Another silent
cry escaped her lips until she passed out.
When she awoke, her brain remembered the injury and she refrained from sudden movement. Her
right arm moved along the surface on which her body rested. It felt soft to the touch. Jennifer dared not
move her head to inspect the surroundings. Instead, she gazed at the mirror on the wall. Her vision was
blurred, but she was able to discern her image and a glimpse of the surroundings.
The room appeared to be a bedroom. She was on a large bed with a black comforter on the top, and
her left arm was in a sling. She had a bandage across her forehead. Two contemporary metal and ash
nightstands were next to the bed. Track lighting offered a dim resolution to the darkness. The carpet
was burgundy, and articles of clothing littered the ground near the foot of the bed—her jean jacket, tank
top, and pants. Her frame supported an overly large black sweater. The clothing fi t loosely and ran down
to her hips. Her legs were bare and depicted a painting of bumps and bruises across a canvas of skin.
The nightstand had on it a small card, a bottle of pills, a glass of milk, and a sandwich. Jen paused and
collected herself. She counted to three and swung her legs around, slowly propping herself up with her
right arm. The hammer struck again.
“Ah!” cried Jennifer as sparks of pain flew from the anvil. She sat up and picked up the card.
You are probably confused and scared. I would be too. I left some painkillers in the
medicine bottle along with some milk and a sandwich. If I were you, I would take
some of the pills and eat the food. I should be back in a few hours. Jennifer, I implore
you not to leave or do anything stupid. A world of [censored] just landed in your lap, and
I am here to help you sort through the events of the last two days.
Yours truly,
James
Jennifer put the card back on the nightstand and grabbed the bottle of pills. There was no label on the
see-through orange bottle. She spilled two pills onto the black comforter and put the container back in
its place. She tossed caution aside, took the pills from atop the comforter, and placed them in her mouth.
She carefully grasped the glass of milk and washed the medicine down. The milk felt good as it navigated
the trail of her esophagus. She set the glass back on the nightstand. She leaned over, being careful not
to agitate her wound, and grabbed the sandwich. A healthy assortment of salami, ham, pepperoni, and
what appeared to be turkey was nestled between two slices of rye bread. Atop the lunchmeat, a river
of mustard and mayonnaise oozed joyful jubilation. An eager mouth took a large bite of the sandwich.
She coughed slightly and swallowed the semi-chewed food. Pangs of fulfillment filled her mind, and it
dawned on her that she had no idea when she had eaten last. Another bite was taken, then another, until
only crumbs remained. Milk chased the food and helped it migrate to her stomach. The pain pills began
working their magic. Jennifer could move slightly, and the hammer’s drop felt drastically less than before.
A small spark sprung from the anvil, but the pain remained at a tolerable level.-
I used the hammer and anvil to show pain in a visual manner which plays out near the end of the story to help visualize the anger and pain that Jen is going through as she blasts crazy cultist-like E.M.T's.