Seriously, have none of you read someone's diary? You try and tell me where the over-arching plot and the epic, deep characters are.
There's no epic characters, but there's personality. I'm with Reneer, I found the author's voice boring.
My brother is seeing a psychiatrist because he can't cope with being a teenager. He has to keep journal entries for it. My mom likes to sneak looks at them, and she read one to me much to my disinterest. It sounded a lot like the "protagonist" of this short story. It was just repetition of a theme, in different time frames and contexts. There was little to no variation. Unlike the protagonist of the story, though, my brother got across the point that he was conflicted. I didn't get that sense from the short story. There wasn't enough conflict. Others' reactions to the protagonist's obsession are glazed over. The protagonist himself seems more annoyed at the situation than genuinely concerned. The ending just appeared and was forgotten. It felt dry. Perhaps the author intended it to be that way, but it doesn't make for a compelling read. Even if it was the intent, it should show through the protagonist's writing. It doesn't do that, either.
There's two solid ways to approach a story like this. Either you turn the protagonist into a tragic character by emphasizing how the obsession is affecting his day-to-day life and the people around him, or you turn him into an unsympathetic characters whose obsession runs so deep that he doesn't even realize it's a bad thing. I'll use the first page as an example of both.
From the beginning you get description with no substance. We know the netbook is his girlfriend's. That's good. Use that later. It's a nice detail. He's as reliant, in a way, on his girlfriend as he is his muse. Let him know that, or suspect it even if he doesn't write it down. The weather and humidity, that's not important as it is. If you want to turn him into a tragic character, use that detail. It's not
humid, it's
stifling and
heavy. Drop Twil's name immediately after that. Explain the situation. If he's tragic, he's pouring his heart out onto the page about it. This obsession
hurts him, everything around him reminds him of Twil and he hates it. It's been a few hours since I read the story through, so I don't even know if the cat appears later. Use every detail. If it's not important to the character's voice, it doesn't belong in a journal story. When you go on to describe Twil, explain the author's feelings about her. You've described what she looks like, a little bit of why, and a reader's typical reaction. What's his reaction? Why does he keep using her? Does he even know? What does he like or hate about her? Does he see himself in her? The story isn't about her, it's about him
using her.
In the other direction, everything still reminds the protagonist of Twil, and everything you should describe relates to her, but he doesn't even notice. It's unconscious. The weather reminds him of Twil. The cat reminds him of Twil (maybe he calls the cat Twil!) Even Lindsey's netbook reminds him of Twil, and by extension Lindsey herself. He describes everyone in relation to Twil. They'd get along, they both have this same quirk, they look alike, they dress alike, etc. In this style, you could expand on the description of Twil. Rather than focus on the protagonist's feelings about her, focus on her and what's so great about her. You can let some of the protagonist's personality come through in this, too. She'd be his ideal woman, and that would speak good or ill of him. She's everything he wants to be, or be with.
Normal people are boring. No one wants to read a story about a normal person.
I'm not bothered enough to read and assess the rest all over again. To be blunt, it didn't interest me enough to think much about the first time around. Sorry